Classical Baroque
Many of these are on the Progressions PDF, which includes matching scales.
Pachelbel
Key |
Progression |
Description/Style |
C |
C - G - Am - Em - F - C - F - G |
Harmonious and uplifting, uses open chords for a full, resonant sound. Ideal for classical and baroque pieces, as well as popular music arrangements. |
D |
D - A - Bm - F#m - G - D - G - A |
Bright and melodic, combines open and barre chords for a rich texture. Common in baroque music and folk adaptations. |
E |
E - B - C#m - G#m - A - E - A - B |
Energetic and regal, utilizes a mix of open and barre chords, fitting for baroque compositions and rock ballads. |
F |
F - C - Dm - Am - Bb - F - Bb - C |
Warm and soothing, primarily open chords for easy playability. Suitable for classical arrangements and soft pop music. |
G |
G - D - Em - Bm - C - G - C - D |
Cheerful and pastoral, features open chords that provide a welcoming sound, perfect for folk and classical genres. |
A |
A - E - F#m - C#m - D - A - D - E |
Lively and bright, a mix of open and some barre chords, often used in classical music and acoustic pop. |
B |
B - F# - G#m - D#m - E - B - E - F# |
Majestic and profound, involves more barre chords, suited for advanced classical guitar pieces and baroque music. |
Other
Key |
Progression |
Description/Style |
C |
C - Am - Dm - G |
Simple and elegant, often used in classical themes and variations. Suitable for beginners due to its reliance on open chords. |
G |
G - Em - Am - D |
Pastoral and soothing, this progression offers a gentle melancholic feel typical of baroque and classical interludes. |
D |
D - Bm - G - A |
Bright and lively, commonly found in upbeat baroque dances and classical rondos. |
A |
A - F#m - D - E |
Warm and inviting, perfect for romantic classical pieces and baroque arias. |
E |
E - C#m - A - B |
Regal and expressive, often used in baroque overtures and classical sonatas. |
F |
F - Dm - Bb - C |
Rich and sonorous, suitable for classical adagios and baroque cantatas. |
Am |
Am - G - F - E |
Mysterious and introspective, a favorite for minor-key classical and baroque compositions. |
Em |
Em - C - G - D |
Deep and reflective, ideal for emotive pieces in the classical and baroque repertoire. |
Bm |
Bm - G - D - A |
Dramatic and intense, used in baroque concertos and classical chamber music. |
F#m |
F#m - D - A - E |
Lush and melancholic, commonly featured in baroque sonatas and classical serenades. |
Cm |
Cm - Gm - Eb - Bb |
Brooding and powerful, perfect for classical symphonies and baroque operas in minor keys. |
Gm |
Gm - Dm - Bb - F |
Poignant and haunting, often used in emotional movements within classical and baroque works. |
Chord References
C G Am Em F D A Bm F#m
e|-0-------3-------0-------0-------1-------2-------0-------2-------2-|
B|-1-------3-------1-------0-------1-------3-------2-------3-------2-|
G|-0-------0-------2-------0-------2-------2-------2-------4-------2-|
D|-2-------0-------2-------2-------3-------0-------2-------4-------4-|
A|-3-------2-------0-------2---------------0-------0-------2-------4-|
E|---------3---------------0-----------------------0-------2-------2-|
Open Open Open Open Open Open Open Bar Bar
C#m G#m Bb E B Eb Cm Gm Dm
e|-4-------4-------1-------0-------2-------6-------3-------3-------1-|
B|-5-------4-------3-------0-------4-------8-------4-------3-------3-|
G|-6-------4-------3-------1-------4-------8-------5-------3-------2-|
D|-6-------6-------3-------2-------4-------8-------5-------5-------0-|
A|-4-------6-------1-------2-------2-------6-------3-------5-------0-|
E|---------4---------------0---------------6-------3-------3---------|
Bar Bar Bar Open Bar Bar Bar Bar Open
Last updated on 10 Feb 2024
Published on 10 Feb 2024